
Pay from gigs, lessons and sessions, super that some payers owe and others don’t, and good years beside quiet ones all connect. We’ll help you bring each part into one plan, from a first booking onwards.





What we advise on
Would a budget built on the pay you can count on make more room for your goals?
Starting from the pay you can count on across a year can leave room for savings and the quieter months.
Together, we’ll build a yearly budget from the gig, lesson and session pay you can count on.
Music work can be paid by the call, the gig, the lesson or the session, from one payer or several. Under one award, for example, a casual musician is paid by the hour, with a minimum payment of 3 hours (a call). We start from the pay you can count on and plan anything above it.
Together, we’ll work through:
Could knowing who pays super on each kind of music work help your balance grow over time?
Tracing what each payer adds, and planning what’s yours to add, can help your balance build over a working life.
Together, we can check what each payer sends to your fund, and plan what’s yours to add.
The ATO treats a person paid to perform music, or to provide services a performance needs, as an employee for super, even with an ABN or an invoice. There are exceptions, including payments to a partnership, company or trust and some private or domestic engagements, though a company or trust itself may have to pay super. An accountant or the ATO can confirm.
Together, we’ll work through:
After a big year or a lean one, what could planning tax with an accountant make easier?
Knowing the tax side early can leave you time to set money aside and decide with an accountant.
We’ll plan tax with you around your music income, so there’s time to act before the year closes.
Ryker’s financial advisers plan tax and set tax structure and strategy, working alongside your accountant, who prepares and lodges your return. The ATO’s income averaging for special professionals can apply to performing artists, composers and some production associates, and an accountant can confirm whether it applies to you.
Together, we’ll work through:
Away from music work through illness or injury, what could keep the household bills paid?
A policy could pay part of your income after a waiting period, the time before payments can start, under its terms.
We’ll compare cover with you from the insurers willing to consider your work, around your duties and how you’re paid.
Moneysmart says insurers usually ask about your age and job, and that most income protection policies offer a waiting period between 14 days and two years. Income protection usually bases the benefit on your earnings in the 12 months before an illness or injury, and the insurer decides on each application and claim.
Together, we’ll work through:
Learn more about Life Insurance and Income Protection for Musicians and Sound Engineers
Taking a seat, going freelance or teaching more: which move would you like to see the numbers on first?
Seeing the numbers first can show how a change fits the household budget and your other goals.
Together, we’ll work out what your next move could cost and put it in a financial plan, or Statement of Advice.
Music work can change from casual calls to a permanent seat, from touring to teaching, or from session work to a studio of your own. Each change can affect pay, leave, super, tax and cover. We plan the money side with you, while Fair Work, an accountant or a lawyer can answer questions on pay, structure and agreements.
Together, we’ll work through:
When you picture later life, how much music work, if any, would you like to keep doing?
Early planning can give you more choice about when you slow down and what fills those years.
We’ll build retirement on your super and savings first, with any later music work as income on top.
Super and savings can form the base of your retirement income, because later music income and royalties aren’t certain. Preservation age is 60 for anyone born from 1 July 1964. Super can generally only be accessed once you meet a condition of release, such as ceasing employment at 60 or over.
Together, we’ll work through:
Room to teach or record at home: how might a purchase fit income that varies across the year?
Testing repayments against your leaner months first can show how a purchase would fit the budget.
We’ll check a purchase with you against a full year of income, while a broker arranges any loan.
A lender decides how it assesses self-employed, casual or mixed income, and a broker compares lenders and arranges any loan. Borrowing to invest can magnify losses as well as gains, and the loan must still be repaid if values fall. From 1 July 2027, negative gearing on residential property is limited to new builds, though property held on 12 May 2026 is exempt.
Together, we’ll work through:
A Budget for Gig, Lesson and Session Income
Pay from gigs, lessons and sessions brought together with you into one yearly budget.
Super From Each Payer Traced
Who pays super on each kind of music work traced with you, with an accountant or the ATO confirming.
Your Own Contributions Planned
Contributions for years when no business pays your super, planned with you around what each year brings in.
Tax Planned for a Big Year
Income averaging questions and a share of each invoice for tax, planned with you alongside an accountant.
A Buffer for the Quieter Months
Savings for the months after a busy run of work, sized with you from your own figures.
Income Protection Explained for Your Work
Income protection for illness or injury explained with you, from the insurers willing to consider your work.
A Purchase Tested Against Your Income
A home or instrument purchase tested with you against a full year of income, a broker arranging any loan.
Later Working Years Planned
The music work you’d like to keep later, planned with you alongside super and savings.

This has really changed our lives
Ray and his team has been incredible, they look after my entire family including my brother in law. Over the years he has helped us with investments, tax and other advice. This has really changed our lives.
Read moreDean Desoukey is changing lives!!
From the very beginning he was warm, patient, incredibly knowledgeable, and genuinely cared about helping us make the right decisions for our future. The positive impact they've had on our family financially and the peace of mind he's given us has been huge.
Read moreI felt heard, understood, and respected
I can't speak highly enough of the service I received from Dean Desoukey. Financial conversations can often feel overwhelming, but he created a space where I felt heard, understood, and respected. He took the time to really listen, explained things clearly, and never rushed me through decisions.
Read moreKnowledgeable, patient and caring
I cannot recommend Ray highly enough. He is an exceptional financial adviser: knowledgeable, patient and caring. From the very beginning, he took the time to truly understand my goals and helped me to create a clear structured financial plan. I never feel rushed or pressured.
Read moreThank you Ray for protecting me and my family
Ray has been my trusted financial adviser for over 12 years. He is highly knowledgeable and passionate about making sure his customers have the right insurance to secure them and their family. I was recently sick and Ray was there right away when needed most.
Read moreHe went above and beyond
I recently dealt with Ricky Regmi at Ryker Capital, and I couldn't be more satisfied with the service I received. Ricky was incredibly patient and supportive throughout the entire insurance process. He went above and beyond, coordinating with my accountant and doctor to ensure everything was in order.
Read moreIt never feels transactional
We've been working with Jack for the past two years, and it's been an incredibly positive experience. He takes the time to build genuine relationships and really gets to know his clients beyond just the numbers. It never feels transactional; it feels like he truly cares about our wellbeing.
Read moreImmensely professional and diligent
Ray has been immensely professional and diligent in my most recent SMSF restructure and insurance review. He not only tweaked it to make it work more for me and my future goals but recommended future strategies to help build my wealth. Cannot recommend him enough.
Read moreBehind every performance, lesson or finished mix are hours that don’t show: rehearsing repertoire, a soundcheck before the doors open, a student’s weekly lesson, a session that runs late because the take isn’t there yet. The skill took years to build, and you keep building it. We’d like to learn about the rest of your life too: the people who matter to you, what you enjoy and where you’d like to be in a few years. Then we’ll build a plan with you around the way you’re paid.
Steadier planning can give the money you earn from music more room to work for you. It might go towards a home, time with the people you love between busy runs of work, a room to teach or record in, or more choice about how much you work later on. We can plan for anyone who counts on your income, alongside your own goals. With ongoing advice, we look at the plan again with you each year, so it keeps pace with your work and goals.
Every financial decision impacts the next
Great advice starts with understanding the bigger picture. Every stage of life presents new opportunities and challenges, from buying property and changing careers to growing your family, planning for retirement and protecting what matters most. At Ryker, we help connect every piece of your financial world into one clear strategy.
Your
Wealth

We’re invested in your long-term success. What we do is personal, and we take it personally.
Your financial decisions connect, so we consider the parts of your financial life that are relevant to the advice you need:
This is how we help you make decisions today with your longer-term goals in view.
Everybody’s situation is different, so we listen first, understand what matters to you and explain your options clearly before we make a recommendation.
It can be. The ATO treats a person paid to perform music as an employee for super, even with an ABN, an invoice or a one-off booking, so a business paying you to play may have to pay super for you. A fee paid to a partnership, company or trust is different: the payer doesn’t have to pay super, though a company or trust itself may have to.
The ATO says the payer and performer should agree whether a fee includes super or has it on top, and the super goes to the fund either way. Private or domestic engagements can differ too, as the ATO’s harpist example shows. An accountant or the ATO can confirm where you stand, and we can plan your own contributions around what arrives.
Your accountant and financial adviser bring different expertise to the same decisions. Your accountant can advise on tax reporting, structures and consequences; we help you plan how cashflow, debt, super, investments and protection work towards your goals. We can coordinate before important decisions.
What an accountant does
What a financial adviser does
Professional roles and authorisations matter. We provide financial advice within our authorisations and work with your accountant for specialist tax advice and lodgements.
Where they work together
They may. The ATO lists sound and audio engineers among those providing services a music performance needs, and treats a person paid for that work as an employee for super, even with an ABN. Its rule also covers services in making a film, tape or disc, or recording content for online streaming. The ATO’s own example is a lighting technician with an ABN, paid by festival promoters, who have to pay super to the technician’s fund.
Payments to a partnership, company or trust you work through are treated differently. An accountant or the ATO can confirm where you stand, and fund statements show what has arrived. We can trace each payer’s super with you and plan what’s yours to add.
Plan it in the order it’s needed. Tour costs can fall due before the fees arrive, so those come first. Then:
How much goes where, and in what order, is up to you, and it can change from tour to tour. We can build it into your budget with you, so tour money is planned before it’s spent.
It may. The ATO’s income averaging for special professionals can apply to performing artists, composers and some production associates, and an accountant can confirm whether it applies to you. Performing artists include people who use musical or other personal skills in the presence of an audience, or who perform or appear on a tape or disc. Production associates use artistic rather than technical skills in a production, such as a musical director or a producer.
Royalties from copyright of a musical work can count as professional income. Once an accountant has worked out where you stand, we can plan with you around the tax result.
Fair Work says award coverage can be based on the employer’s industry and the work you do within that industry, on your occupation, or on both. One award covers employers in the live performance industry, including the operation of venues used for performances, and their employees in the classifications the award lists. Another covers the broadcasting, recorded entertainment and cinema industry in the same way. An enterprise agreement, if your employer has one, can apply instead.
Under the live performance award, for example, a casual musician is paid by the hour with a minimum payment for each call. Fair Work’s Pay and Conditions Tool is the place to check what applies to you, and we plan with you from the pay you receive.
Your manager or booking agent works on the career: finding work, agreeing fees and planning where your music goes next. That work matters, and a financial adviser doesn’t replace it.
Our part is planning for the money that career brings home. That can mean super from each payer, income protection for illness or injury, tax planned with an accountant, a buffer for quieter months and goals such as a home. The two can work side by side, and we can plan with you around the bookings your manager or agent brings in.
Yes. A retirement plan for music work can start with what you’d like your later working years to look like: more teaching, more studio work, fewer late nights or a clean stop. Each choice can change how long your super and savings need to last.
If some of your years were self-employed, we can look at what your own contributions could add before you stop. We’d plan income from super and savings first, treating any royalties as a bonus rather than the base. You can read more about our retirement advice.
We’re a national service, so you can meet with us by phone or video from anywhere in Australia. We also have offices in three cities:
Yes. The first conversation looks at how your music work runs today, from a first paid booking to a full teaching diary or a studio of your own.
There’s no cost for the initial conversation. Any advice after that is a paid service, with its scope and fee agreed with you in writing first.
A rough picture of your year helps: who pays you, roughly how much, and what super statements or policies you have. Payslips, a tax return or a few invoices are plenty to start. We can talk by video or phone, or in person at one of our offices.
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Whatever’s on your mind, we’re here to help. You’ll speak with an authorised financial adviser who’ll listen first and get to know what matters to you.
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